Design

posted 02/16/08 by Rick Webb

Design. Graphic Design. Shaken, not stirred. We get asked about design a lot. I suppose that’s only fair, we pay a lot of attention to it, and we work hard to have the best and most appropriate design for the challenge at hand.
The best and most appropriate. That’s an interesting challenge sometimes. The internet is a pretty heady place. And there’s a lot of DIY stuff going on. There’s an ethos and aesthetic of lo fi. Of messy. Of a twelve year old photoshopping the head of his cat onto Trent Reznor. Sometimes we need to mimick this. Sometimes we need to make design that is notably un-designed. The chicken, of course, was an example of this.
Design and marketing have a very intertwined relationship. They’re even more intertwined when you think of Branding, and the rules strict branding has saddled marketing with – the logo must always be this size, this color, in this place, with this much free space. The tagline should always be on there. We must use these colors.
The nature between design, marketing and branding is changing. We’re tempted to say it’s collapsing. Design is a tool, but one whose primary use has, perhaps, been forgotten: to connect and serve the end user. Branding, and the strictures it places on design, are, perhaps, in conflict with this. Is the internet causing this? Perhaps, but more likely, it’s just bringing it out in the open. The users are talking back. They’re responding to designs they like, even if they are not our idea of good desingn. They like things, sometimes, that aren’t designed well. Just like they like the Moldy Peaches.
Of course, the converse is as true as ever. Good design works. Good design sells. Ask Steve Jobs. It’s a challenge knowing when this is true, and when something is overly-designed for the market. The iPhone works. The Vertu? Not so much. (ed: the what? rick: exactly).
So, then, the best and most appropriate. Designing down. Designing up. When and where. And then, after figuring that out, doing it as well as possible. Designing down, as well as possible, we admit, can be a lot of fun sometimes (check out the XPJS site for Gametap). Designing up, for us, just like every other design studio of notable quality, is a never-ending enterprise. We’ve been wrestling a lot with how to further enhance our process to ensure those things that need to be well-designed are as perfect as possible. It’s a never-ending quest. One of the things we’ve noticed: by letting our employees pursue both designing up, and designing down, they get better. Mix up the work. Mix up the tasks. Give them room to spread their wings in both directions.

Here are some recent posts from our employees about Design:

Roush Fenway Racing Redesign

It didn’t take long after our initial meeting with Roush Fenway Racing for us to all become NASCAR fans (except for Noah, he’s loved it since birth). The people at Roush won us over with their enthusiasm, friendliness and passion. You won’t meet a nicer group of people in the sport.
Roush Fenway came to us with an interesting request. They were looking to reposition themselves as an entertainment and marketing entity and not just a race team. So we helped Roush get to the core of what they stood for and really drilled down into what performance and success means on the track and on the web, so we could bring that to life for their sponsors and fans. Of course, this would all start with their website.
This is a big change not just for Roush, but also for the industry, and we wanted to make sure their website had a new look to match their new positioning. The energy and vigor we felt at the racetrack was incredible so we wanted to bring some of that atmosphere and life into the site with color and great photography. The devotion of the fans amazed us so we also made sure we kept their drivers front and center. Furthermore, we organized the content so that it was not only easy to search but also easy to navigate. In addition to the race and team information, we featured their current sponsors as well as case studies to highlight their successful marketing programs.
After eight months in the making and a lot of learning, we are happy to announce the launch of the first part of our efforts. Check it out.

Bloomberg.com Redesign

After almost a year of work, The Barbarian Group redesign of Bloomberg.com went live on Monday. At first glance, the combination of Bloomberg and Barbarian might seem like an odd fit. How could the same group that created the Subservient Chicken get along with the company that keeps the financial and business worlds moving forward?
On the surface, it might not seem like we’d get along but it was actually quite awesome. Bloomberg is a dynamic, forward thinking company with a great culture and a focus on innovation. Just looking at the building and stepping into the main lobby is proof of that. They are also the world’s largest private network and one of the first providers of email to their customers. And they came to us with the type of challenge that we love.
Internally, the folks at Bloomberg wanted to think about what their website would be in three to five years and they came to us to bring what they imagined to life. Bloomberg.com delivers 500 news stories a day, aggregates content from relevant third parties and has a different global audience from the Bloomberg Terminal user and thus needed it’s own identity.
So we started by evaluating the user experience; focusing on legibility and scanability, enhancing search, reducing the navigation and clutter and trying to improve the overall quality of the experience.
Bloomberg was really satisfied with the ideas and thinking we showed them for a future site. We can’t really go into the details of that project quite yet since it’s still in the works, but in the interim, there was a need to bridge the gap between what we presented to them for the future and the old amber on black Bloomberg.com. So we came up with what you’ll see today. And as part of the process we got to collaborate closely with the marketing team at Bloomberg on the About section of the new site and really helped them bring the Bloomberg story to life.
All this is to say Bloomberg has been busy and so have we and we’re both excited for what’s to come.

Schooloscope

Schooloscope is a new thing from Berg – read the blog post here.

What if a school could speak to you, and tell you how it’s doing?
I have happy kids, it might say, or their exams results are great…


Schooloscope attempts to bring simplicity, familiarity, and meaning to government education data, for every parent in England.

Jane McGonigal: Gaming can make a better world

Confirmation that doing bad things in GTA Chinatown Wars is good for mankind :)
Games like World of Warcraft give players the means to save worlds, and incentive to learn the habits of heroes. What if we could harness this gamer power to solve real-world problems? Jane McGonigal says we can, and explains how.

Andy Gilmore

Fly’s big spaceships and makes beautiful images…


Classy not flashy

Don’t you wish all creative briefs were like this? (found via www.d-kitchen.com)

The New RockHall.com

Big news today!
For the last year, we’ve had the great pleasure of working with the Rock and Roll Hall of Fame and Museum to redesign their website. It didn’t take more than a second after meeting everyone at the Rock Hall to see that they are extremely passionate about the preservation of rock and roll.
The Rock and Roll Hall of Fame and Museum shares an immersive, interactive experience complete with sound, video, and lights, not to mention all kinds of stuff from your favorite rock and roll artists. The music nerd in all of us wet our collective pants over Mick Jagger’s Union Jack cape (from the Stones’ 81-82 world tour), the larger than life-size photography of Jimmy Page in mid-backbend, or the phone in the Annex’s John Lennon exhibit (if it rings, answer it. Trust me). Rick’s mind was blown by the hand written lyrics to “Love Will Tear Us Apart” by Joy Division, and David Byrne’s original polaroid artwork for the cover of “More Songs About Buildings and Food.”
But all this needed some help translating to the web. That’s where we came to play.
The passion behind the “most powerful art form ever created,” to quote Greg Harris, Rock Hall’s VP of Development, wasn’t translating well in the online world. Static, informational pages dominated the landscape. Media types present in the offline experience were placed sporadically throughout the site. The mission of preservation and education of a legitimate art form wasn’t being fulfilled, and the story of rock wasn’t being told as it should be.
But today – no longer.
The experience design of the new RockHall.com shifts the focus of the site to the content that makes the Museum unique, both in the educational, historically oriented content we create, as well as the information about the museum and its programs. The Rock Hall is actively creating new educational programs, events, exhibits (and so much more), and we needed to capture and translate that online.

You sound like you're from London!!!

The best things come in eights. Hotdog rolls. Octopus legs. Sides of an octagon. Pizza slices. Cheese wedges. Loopwheeler hoodies per day. What? Oh yes…Only eight loopwheeler hoodies are made each day. Thus is the allure of the AW77 Loopwheeler, the star of the Nike Sportswear line. And now, Nike wants everyone to know just how much they care about these hoodies and how they have perfected them since their initial design in 1977. The same year that Elvis performed his last-ever concert. Coincidence? Yes, completely.
Enter AW77 Stories, our new site for NSW in conjunction with Vice. London stories serves dual purpose, much like swiffers. It showcases the AW77 along with several other products from the NSW line in situ. All products are modeled on subjects that live in a giant, interactive panorama. Further inspection unveils some beautiful shots of the products awesome details. We all really dug the two-color pocket zips.
The site also showcases several London influencers, curated and shot by Vice.